![]() ![]() Most evident examples are modern movie trailers that combine dramatic music and vivid stills from the movie. The shots are edited according to the soundtrack and how it’s used in the particular scene, what sound effects and on-screen action there are. Rhythmic montage is similar to metric, however, as suggested by its name, here rhythm of movement and the content of specific scenes are taken into account instead of their duration. In the famous shower scene in “Psycho”, Hitchcock exploits this montage effect by editing shots of a knife and the victim next to each other. Quick cuts or, conversely, long shot, affect the level of tension the viewer feels during watching. It may feel uncomfortable while watching because the action is constantly interrupted, but if you catch the general rhythm of the movie, it turns out to be interesting and more understandable. Metric montage is based on the temporal length of the segments and requires cuts at regular intervals, regardless of how the action develops within the shots. Thus, Eisenstein proposed his own classification of montage techniques. Eisenstein believed that the image in the film should be a combination of different frames in a structure where the conflict exists between its elements, which is achieved by video montage editing. Types of editing styles in films differ in how frames will be joined to each other, and on what basis – by meaning, by association, sequentially or in parallel, etc. However, it is still subject to rules, and as a result, it was divided into different types. It is the expressive means of the screen, the way of artistic thinking, and the rhythm of the work. ![]() Nowadays, montage in movies is something that is determined by the worldview of its director. Montage techniques in movies and their effect ![]()
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